A Grand Opening in Lisbon
At 11 a.m. on the opening day of The Phantom of the Opera, preparations are in full swing at Campo Pequeno. While musicians rehearse in a small room, the stage awaits its actors. The chandelier is securely fastened, and production assistants scurry about ensuring everything is in order. Tonight, a full house is expected to witness the tale of Christine and the Phantom, featuring a stellar cast from both Broadway and the West End.
Transforming the Arena into a Theatre
Despite the vastness of Campo Pequeno, the stage isn't particularly large since it is an arena, not a traditional theatre. Álvaro Covões, the general director of Everything is New, emphasizes the effort taken to transform the venue into a true theatre for this production, running until October 27. This space will host the celebrated musical, a masterpiece of theatrical storytelling.
Francisco Romão Pereira / Time Out
The Musical Experience
As the rehearsal begins, the 14-member orchestra takes their places, led by musical director Ben Mark Turner. He notes the unique ability of the musical to reach audiences who may not typically consider themselves theatre fans. "It's overwhelming, it's symphonic, it's cinematic," he describes, highlighting the crucial role of music in the performance.
Exploring Character Depth
The curtain rises to reveal Christine and the infamous Phantom, showcasing their complex relationship. Sophia McAvoy, assistant director, praises Stephen Barlow's direction for empowering Christine's character, allowing her to make her own choices and embark on a journey of independence.
Francisco Romão Pereira / Time Out
A Dream Role
Nadim Naaman, who plays a lead role, describes it as a "dream role." He explains the challenge of portraying both the Phantom and the man behind the mask, emphasizing the emotional depth of the character.
Francisco Romão Pereira / Time Out
Dual Interpretations of Christine
Christine is portrayed by two actresses alternating throughout the performances. Georgia Wilkinson, who took on the role for the premiere, expresses the character's growth from innocence to empowerment. Bridgite Costello, also sharing the role, appreciates the unique interpretations brought by different actresses.
Francisco Romão Pereira / Time Out
The Visual Spectacle
The production features elaborate sets and 230 costumes sourced from abroad. Andrew Riley, responsible for the set design and costumes, emphasizes that the visual elements should enhance the audience's experience, drawing inspiration from the opulence of Paris's Palais Garnier.
Francisco Romão Pereira / Time Out
The Dance Ensemble
Portuguese dancer Francisca Mendo shares her experience in her first musical theatre production, highlighting the challenges of backstage choreography. She emphasizes the collaborative effort required to bring the show to life every night.
Francisco Romão Pereira / Time Out
Carlotta's Character
Lara Martins, portraying Carlotta, discusses her character's vulnerabilities and comedic elements, showcasing the contrasts that make Carlotta compelling. She believes that the growing interest in musical theatre in Portugal is partly due to productions like this one, inspiring a new generation.
Show Details
Sagres Campo Pequeno. October 15-27. Tue-Fri 21:00, Sat-Sun 15:30 and 21:00. Tickets range from €39 to €125.
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