The Phantom of the Opera Dazzles Lisbon: A Behind-the-Scenes Look at the Iconic Musical

Summary:

The Phantom of the Opera opens in Lisbon at Campo Pequeno until October 27.
Production transforms the arena into a true theatre experience.
Musical director Ben Mark Turner highlights the cinematic nature of the performance.
The character of Christine is portrayed by two actresses, adding depth to the role.
The production features elaborate sets and 230 costumes sourced internationally.

A Grand Opening in Lisbon

At 11 a.m. on the opening day of The Phantom of the Opera, preparations are in full swing at Campo Pequeno. While musicians rehearse in a small room, the stage awaits its actors. The chandelier is securely fastened, and production assistants scurry about ensuring everything is in order. Tonight, a full house is expected to witness the tale of Christine and the Phantom, featuring a stellar cast from both Broadway and the West End.

Transforming the Arena into a Theatre

Despite the vastness of Campo Pequeno, the stage isn't particularly large since it is an arena, not a traditional theatre. Álvaro Covões, the general director of Everything is New, emphasizes the effort taken to transform the venue into a true theatre for this production, running until October 27. This space will host the celebrated musical, a masterpiece of theatrical storytelling.

The Phantom of the Opera Francisco Romão Pereira / Time Out

The Musical Experience

As the rehearsal begins, the 14-member orchestra takes their places, led by musical director Ben Mark Turner. He notes the unique ability of the musical to reach audiences who may not typically consider themselves theatre fans. "It's overwhelming, it's symphonic, it's cinematic," he describes, highlighting the crucial role of music in the performance.

Exploring Character Depth

The curtain rises to reveal Christine and the infamous Phantom, showcasing their complex relationship. Sophia McAvoy, assistant director, praises Stephen Barlow's direction for empowering Christine's character, allowing her to make her own choices and embark on a journey of independence.

The Phantom of the Opera Francisco Romão Pereira / Time Out

A Dream Role

Nadim Naaman, who plays a lead role, describes it as a "dream role." He explains the challenge of portraying both the Phantom and the man behind the mask, emphasizing the emotional depth of the character.

Bridgite Costello, Nadim Naaman and Georgia Wilkinson Francisco Romão Pereira / Time Out

Dual Interpretations of Christine

Christine is portrayed by two actresses alternating throughout the performances. Georgia Wilkinson, who took on the role for the premiere, expresses the character's growth from innocence to empowerment. Bridgite Costello, also sharing the role, appreciates the unique interpretations brought by different actresses.

The Phantom of the Opera Francisco Romão Pereira / Time Out

The Visual Spectacle

The production features elaborate sets and 230 costumes sourced from abroad. Andrew Riley, responsible for the set design and costumes, emphasizes that the visual elements should enhance the audience's experience, drawing inspiration from the opulence of Paris's Palais Garnier.

Francisca Mendo Francisco Romão Pereira / Time Out

The Dance Ensemble

Portuguese dancer Francisca Mendo shares her experience in her first musical theatre production, highlighting the challenges of backstage choreography. She emphasizes the collaborative effort required to bring the show to life every night.

Lara Martins Francisco Romão Pereira / Time Out

Carlotta's Character

Lara Martins, portraying Carlotta, discusses her character's vulnerabilities and comedic elements, showcasing the contrasts that make Carlotta compelling. She believes that the growing interest in musical theatre in Portugal is partly due to productions like this one, inspiring a new generation.